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Korean Male Models dalam bahasa Inggris. Depending on the group, some estimates say it is more like a million. Shinee mengawali debut pertamanya melalui mini album Replay pada 25 Mei 2008.
Diakses tanggal 16 Juni 2015. Studio J bar was created on June 2, 2016 as a collaboration between JYP Entertainment and a famous bar in the Chungdam Limbo called Y1975. Travel SMTown menawarkan paket konser untuk fans luar negeri menghadiri Sm entertainment artists Junior Super Show 4 Tour konser di Seoul. Pada tahun 2010, YG Entertainment menempati gedung perusahaan yang baru, sementara kantor pusat yang lama dijadikan fasilitas pelatihan. K Female 4 Park Heebon 2004 Milkyway Glad 2002 Black Beat Blackbeat Male 7 Lee So Min 2007 Soul Black Black 2002 Shinvi Female 3 Yoo Soo Sm entertainment artists 2003 Linos Teal 2002 Isak N Jiyeon Isak 'N' Jiyeon Female 2 Non-leader Group 2004 — Wine 2003 TVXQ Male 5 Yunho — Cassiopeia TVXQ Cassiopeia, Cassiopeia TVXQ BigEast Dakota Pearl Red 2004 TRAX band TRAX Male 4 Jay Kim Jay — Traxian Cobalt Blue 2005 The Grace band The Grace Female 4 Non-leader Group — Shapley Pearl Pink 2005 Super Junior Male 12 Leeteuk — Everlasting Friends short E. Pada bulan Agustus 2015, ia mengumumkan bahwa ia telah resmi berpisah dengan S. Of gusto I'm aware of what goes on behind the scenes, but let's stay for that blog by the fact that they release amazing things. On December 30, both Park Jin-yong and miss A all signed a contract with J. Bahkan menyanyi dengan lagu bahasa inggris akan mendapatkan poin lebih di SM Del. Retrieved September 17, 2014. In April 2002, an additional 1,341,180 shares was added, and in June 2002, the third-party paid-in capital increased another 61,048 shares.
Selain perusahaan bakat, S. Pada Mei 2016, ia mengumumkan bahwa ia telah resmi berpisah dengan S.
Daftar Artis SM Entertainment - Mereka bubar ketika Bae Yu-mi meninggalkan grup pada tahun 2003. Kelasnya pun akan terasa spesial karena jurusannya berbeda dengan sekolah pada umumnya.
Image caption K-Pop sensations Girls' Generation on stage in Seoul South Korea's pop industry is big business in Asia. As K-Pop sets its sights on Europe and the US, will this force a change in the way it treats its artists? Selling singles is no way for a pop star to make money these days. Most artists find that touring and merchandise sales are more lucrative. So when it comes to concerts, size matters. This is why the biggest date in the Korean pop calendar - the Dream Concert, at which up to 20 bands perform - is held in Seoul's 66,800-seat World Cup Stadium. Teenage crushes come here for a once-a-year date in a national love story, where commitment is measured in coloured balloons, and devotion is knowing all the words. Most of the bands, like and , are household names; highly produced, sugary boy- and girl-bands with slick dance routines and catchy tunes. Industry leaders are also ambitious - Korean stars are beating a path to Japan, America and Europe. This month, South Korea's biggest production company, SM Entertainment, held its first European concert in Paris, part of a year-long world tour. In April, Korea's king of pop, , was by readers of Time magazine. And earlier this year, boy band reached the top 10 album chart on US iTunes. Follow the money Korea is excited by what this new musical export could do for its image - and its economy. But some of K-Pop's biggest success stories were built on the back of so-called slave contracts, which tied its trainee-stars into long exclusive deals, with little control or financial reward. Image caption Dong Bang Shin Ki took their contract fight to court Two years ago, one of its most successful groups, , took its management company to court, on the grounds that their 13-year-contract was too long, too restrictive, and gave them almost none of the profits from their success. Industry insiders say the rising success of K-Pop abroad, and experience with foreign music companies, has also helped push for change. Attitudes are changing, he says, but there are some things that even new contracts and new attitudes cannot fix. Image caption Rainbow's singers put in the hours is a seven-member girl-band, each singer named after a different colour. If any group could lead to a pot of gold, you would think they would. A director for DSP says they do share profits with the group, but admits that after the company recoups its costs, there is sometimes little left for the performers. K-Pop is expensive to produce. The groups are highly manufactured, and can require a team of managers, choreographers and wardrobe assistants, as well as years of singing lessons, dance training, accommodation and living expenses. The bill can add up to several hundred thousand dollars. Depending on the group, some estimates say it is more like a million. Musical exports But music sales in South Korea alone do not recoup that investment. For all their passion, home-grown fans are not paying enough for K-Pop. The CD industry is stagnant, and digital music sites are seen as vastly underpriced, with some charging just a few cents a song. Image caption Girl band 4minute on tour in the Philippines Bernie Cho, head of music distribution label DFSB Kollective, says online music sellers have dropped their prices too low in a bid to compete with pirated music sites. Company representatives say concerts and advertising bring in far more than music sales. A former policy director at South Korea's main artists' union, Moon Jae-gap, believes the industry will go through a major upheaval. Until that happens, he says, artists will continue to have difficulty making a living. South Korea's government is keen to promote its new international identity, one many hope could rival Japan's cool cultural image. The only question is whether the industry ends up more famous for its music, or for its problems.